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The commonly misused word love in whose name so
many crimes are committed by the emotionally immature,
the romantically idealistic, and the psychologically
infantile, should have its connotations changed. It is
usually believed that love belongs to a special category
of human emotions and feelings, but, as a matter of fact,
it is no more than a special form of the social feeling, the
communal consciousness on which all human relations
are based.
Love is friendship plus the element of heterosexual
cooperation. Love equals friendship plus sex. The
romantically infantile may be mature physically and go
through the motions of sexual intercourse, but it is as
improbable that they will experience mature love, psycho¬
logically, as that a road-sweeper will appreciate the
beauties of the original Greek text of the Odyssey.
No one suffers so much from love as a romantic
idealist. Although it is true that some of these romantic
idealists have given us our best poetry, a few excellent
plays, several stirring novels, and not a little splendid
music, they might have lived a more complete love life
and still written equally excellent poetry and music.
Let no reader believe that one must be a romantic idealist
to produce good literature or music. “ Artiness ” is just
another form of romantic idealism. It requires no more
“ artistic temperament ”, no more romantic idealism to
write a symphony than to excise a gall-bladder or build a
skyscraper.
More has been written about the erotic antics of the
emotionally immature than about any other single subject
in the world’s literature. Every romantic idealist remains
steadfast in the belief of his rightness. It is because he
believes that his problem and his tragedy are unique, that
his shredded modesty fails to prevent his airing, in some
artistic form or other, the soiled linen of his erotic
misadventures, that all may see, sympathize, and make
excuses for him.
It is hardly astonishing that the romantic tradition is
so deeply ingrained in the lay mind. The epics of romantic