How to be happy though human / by W. Béran Wolfe.

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contributing fellow-man, make your own decisions, stop depending on the opinions of your relatives and neigh¬ bours, and branch out for yourself. Your deficient self¬ esteem is due to lack of real experience and the avoidance of veritable opportunities for creative activity. You are probably no better and no worse than the average human being—you are merely unfortunate in having been the victim of too much solicitude. Your ego is hypertrophied. You have never tasted the greatest of human pleasures—-that of being useful to someone in your own right. Do not run away from responsibilities— they will make a man of you. Widen your horizons, devote yourself to at least one other human being, surrender yourself to the task of being human. And if you realize your deficiencies, and cannot find a way out of the difficulties, consult a friend, a physician, a teacher, or a psychiatrist who can show you the way. All good compensations for the inferiority complex have certain attributes in common. (1) They are all useful. (2) They are all expressions of independent thinking and acting. (3) They are all marked by a high degree of social courage. (4) They are all surcharged with social responsibility. (5) They say “ Yes ! ” to life. (6) They result in happiness, self-esteem, social approval, and eventually a normal sense of power which is the logical compensation for the feeling of insignificance. (7) Good compensations are immediately recognized by your friends and neighbours, and create a sense of “ good¬ ness ” in your own heart which is often the greatest reward of living. But not all compensations are good compensations. If your feeling of inferiority is profound, if you are very discouraged, you are likely to demand a goal of power, totality, security, approbation, and esteem quite beyond the reach of human efforts. Under these circumstances when reality interposes insuperable ob¬ stacles which prevent you from attaining your goal of power, you are very likely to make a quick about face, and begin seeking the fiction of power instead of its substance.