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fessed knowledge of anatomy, boastful claims to artistic
eyes, and manual dexterity, the doctor in art, as in medi-
cine, lias utterly failed to treat the form divine skillfully
with paint and marble—those two great agents that have
so largely tended to the happiness of mankind. Yet most
modern physicians are savage art critics, and I have heard
them claim that Turner had astygmatism ; that Canovas
Venus had a dislocated femur; that Powers' Greek
Slave had a deformed pelvis, etc."
" What has the doctor done for music ? What famous
composers do you number in your ranks ? What ?"
"Hold!" exclaimed Paulus Androcydes, "your ques-
tions vex me ; you are unreasonable."
Athothis laughed merrily, and said: " Strangest thing
of all, you have forgotten to mention the most glorious
and immortal of medical literary men."
" Who can he be ?" queried Paulus Androcydes,
eagerly.
" Rabelais!" answered Athothis. " He is the very
prince of later writers, for he combines wit with knowl-
edge, and to quote his words in the present instance,
I may say, ' I will not launch my little skiff any further
into the ocean of this wide dispute ;' for when you first
commenced to discourse so learnedly on the achievements
of moderns, to use a Pantagruelism, ' my right entrail
seemed to be widened and enlarged, which was but just
now hard bound, contracted, and costive.' I met Rabe-
lais once during my transmigrations. He was inhabiting
the body of a dove, and was listening to Semiramis, who
was inhabiting a goose at Strasbourg. The Queen was
endeavoring to convince Rabelais that Herodotus and
Strabo had defamed her character, and even while in the
midst of her argument was seized by the poultry dealer