How to be happy though human / by W. Béran Wolfe.
37/400

18 (canvas 38)
The image contains the following text:
depends upon our interpretation of our own inferiority situa¬
tion and our idea of superiority and totality, and not on the
facts as they are.) An example is the very undernourished
child who stated that she wanted to be the fat lady in the
circus. Another is the son of a railway magnate who
wanted to be a porter at St. Pancras Station.
5. Any individual life is a pattern from a situation believed
and considered a “ minus ” toward a goal believed and
considered a “ plus ”. Once the goal idea and the goal situa¬
tion has been fixed in the unconscious, it acts as a magnet which
directs all human activities towards itself. The small boy
wants to be a fireman because he is dissatisfied with “ small¬
boyishness ”, and sees in the glamour of the clanging
fire engines a situation of “ plus ”. He does not' say he is
dissatisfied with being a small boy, but he acts as //he felt
dissatisfied. Dwarfs aspire to be giants—giants never
want to be dwarfs. A young boy wants to be a doctor
“ So I can stick the needles in people’s arms ”. To this
boy the hypodermic syringe is the symbol of complete
power. All human lives are a pattern from an imagined
weakness to an imagined strength, from impotence to
power, from insignificance to significance.
6. A human being cannot do anything outside his pattern.
This is true all through the world of nature. Elephants
do not grow humming-bird wings nor do oaks suddenly
produce pomegranates. Elephants and oaks must be
elephants and oaks from start to finish. The complete
unity of any individual pattern is one of the most
important laws of psychology. Everything we do, think,
desire, fear, avoid, cherish, love, or hate, fits into our
unit pattern. That is why dreams, early childhood
recollections, our favourite film actors, our favourite
sports, our antipathies, the clothes we wear, the way we
shake hands, our gait, our habits, our handwriting, our
physiognomy, our choice of foods, friends, recreations,
hobbies and wives must fit into the same pattern. Fortune
tellers, who are shrewd judges of human nature, detectives,
artists, playwrights, all make use of this fact of the unity
of the personality. If we go to a play in which a character